TALES OF LOHR: IMO NSE IMEH'S "THE HOPE OF RADIANCE" AT THE AUGUST WILSON CENTER
Plus, another great Black artist joins the Factory Roll Call
In my previous newsletter on the Alonzo King LINES Ballet’s “Deep River,” I spoke about American culture’s persistent positioning of Black bodies as targets of hatred and loci of violent would-be retribution. The same night as the LINES performance at the Byham Theater in downtown Pittsburgh, a new art exhibit opened just a few blocks away that likewise…
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